epub |eng | 2011-03-12 | Author:Zeke Kamm

The Corner ONE NIGHT, BALTIMORE’S Tim Prendergast set out to experiment with perspective and color. For color, Tim covered the business end of one flash with a full CTO gel ...

epub |eng | 2011-06-20 | Author:Elizabeth Etienne [Etienne, Elizabeth]

The shadows come from an ornate iron gate in late afternoon light. With some careful positioning, they create an interesting pattern on my subject. Nikon F100, 28–105mm Nikkor lens, Kodak ...

epub |eng | 2020-01-29 | Author:Sandra Coan [Sandra Coan]

FIGURES 4.15A–C Figure 4.15a was taken without a V-flat, and the shadows were too dark for my taste. In Figure 4.15b, the V-flat was placed about five feet from my ...

epub |eng | | Author:Bella West

Fig. 4.0 A location is only as good as the light within it. Chapter 4 Location A great location is a canvas to build on. It can be a significant ...

azw3, epub, mobi |eng | 2015-03-06 | Author:Jay Maisel [Maisel, Jay]

Take Advice I was shooting this image for a calendar. The client was a bank in Vicenza, Italy. While I was shooting, an Italian photographer walked by and said, “It’s ...

epub |eng | 2016-10-31 | Author:Fancher, Nick [Fancher, Nick]

Figure 4.3 The lighting diagram. My light was lowered on the stand and placed behind the wall, which was behind the subject, to keep out of view. The flash was ...

epub |eng | 2017-12-18 | Author:Scott Kelby

How to Deal with Problem Room Light Shooting people and things indoors can be kind of tricky because indoor scenes are often lit with either fluorescent or tungsten lighting—one gives ...

epub |eng | 2013-02-04 | Author:Earnest, Allison

PLATE 6-11. The final lighting setup. Photograph by Don Jones. PLATES 6-12 AND 6-13. Before and after. If you delivered the image on the left as your final shot, chances ...

epub |eng | 2016-07-26 | Author:Larry Gates

Susanne Skyrm titled this image Diver Over the Wall, Cozumel. She told me she was within 1½ feet of the subject, and a sense of serendipity came over her as ...

azw3, epub |eng | 2012-02-07 | Author:Kris Malkiewicz

Studio Versus Location The actual painting with light, creating the three-dimensional composition to be ultimately recorded on the two-dimensional film, has to be approached differently in the studio and on ...

epub |eng | 2013-10-02 | Author:Joe Farace

Sunset. Sunsets and sunrises are notoriously difficult to shoot because you have lots of dark areas and a brilliant light source in the same frame. With your camera set to ...

epub |eng | 2016-05-27 | Author:Bert Krages

Reflections can have a dramatic effect on how you might want to compose an image. When photographed under very different lighting and wind conditions, the reflections in this waterway vary ...

epub |eng | 2017-02-26 | Author:Andrew Darlow

Packing Foam Packing foam is ideal for cutting and inserting anywhere you need a sturdy type of cushioning. White closed cell foam is more easily chipped and damaged, so it’s ...

epub |eng | 2016-09-18 | Author:Ewing, James [Ewing, James]

Two-point perspective is the type of perspective most commonly used in architectural illustration and photography. It employs two vanishing points to describe the walls of a building from an oblique ...

azw3 |eng | 2016-01-26 | Author:Hill, Jacob [Hill, Jacob]

150 watt lights can be used in order to create a lot of light. Lights as small as this can be ideal for this purpose, stronger lights can often cause ...